IZABELA BRUDKIEWICZ

Insignificant, 2019 is a video installation of four video performances constructed into infinitive loops. This piece is inspired by the significant physical and mental metamorphosis that mothers go through every day. By documenting insignificant and mundane moments I transform them into something meaningful.

Imagine Her Erotics’, 2019 is a series of live installations, videos and GIF files experiments inspired by the everyday life of artist mother. It highlights significant sexual metamorphosis that young mothers go through.

"imagine her erotics", 2019 is a private video performance inspired by the everyday life of artist mother. It highlights significant sexual metamorphosis that young mothers go through.

MAMA, 2020 is a video performance where for the period of over 3 hours artist have been locked in an empty room with two of her children. This piece explores the paradox of the socio-political status of artist mothers.

This is a re-enactment of the iconic live performance by Yoko Ono in 1965. "THE CHILD CUT PIECE" May 2020 is a part of ongoing series of video recreation of master contemporary video art pieces with the addition of a child. The series aims to explore how and to what extent I am changing the original context of this piece is by involving a child.

This is a reenactment of iconic video performance by Martha Rosler in 1975. "SEMITIC OF THE CHILD KITCHEN" April 2020 is a part of ongoing series of video recreation of master contemporary video art pieces with the addition of a child. The series aims to explore how and to what extent I am changing the original context of this piece is by involving a child.

This is a re-enactment of iconic video performance “Lip Sync” by Bruce Nauman in 1969 . It is a part of an ongoing series of video recreation of master contemporary video art pieces with the addition of a child. The series aims to explore how and to what extent I am changing the original context of this piece is by involving a child.